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EBU R128 Loudness Compliance

EBU R128 & ITU-R BS.1770: The Definitive Loudness Compliance Guide

A thorough breakdown of integrated loudness (-23.0 LUFS), maximum short-term loudness, and true-peak measurement protocols across European broadcast networks.

Key standard: -23.0 LUFS (±0.5 LU) • Max True Peak -1.0 dBTP
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Acoustic Room Modes

Calculating Axial, Tangential & Oblique Room Modes in Small Studios

Mathematical analysis of low-frequency standing waves below the Schroeder frequency (fs) and practical velocity vs pressure absorption placement strategies.

Key formula: f = (c / 2) × √((p/L)² + (q/W)² + (r/H)²)
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Spatial Audio Mastering

Binaural & Immersive Spatial Audio Mastering for Next-Gen Streaming

Practical techniques for head-related transfer function (HRTF) phase management, bed-channel panning, and dynamic binaural fold-down verification.

Key focus: HRTF filtering • Cross-feed phase preservation
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Foley Art & Sound Design

Foley Art & Transient Layering for Cinematic Realism

Microphone selection, transient envelope shaping, and frequency separation protocols for organic cinematic Foley integration.

Key workflow: Transient attack phase isolation • Ambience bed matching
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Bass Traps vs Diffusers

Bass Traps vs Diffusers: Designing Balanced Absorption in Listening Rooms

Comparing porous velocity absorbers (fiberglass, mineral wool) with resonant pressure traps (Helmholtz, membrane) and quadratic residue diffusers (QRD).

Key insight: Velocity absorption at 1/4 wavelength vs Corner pressure maxima
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Post Production Workflows

Audio Post-Production Workflows: Dialogue Cleanup to Broadcast Delivery

Step-by-step engineering pipeline for documentary and narrative film: ADR alignment, de-reverberation, spectral repair, and multi-stem export.

Deliverable: M&E stems, DX, FX, MX splits • 24-bit 48kHz BWF
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